TY - JOUR AU - Chirico, Domenico Pio PY - 2020/07/09 Y2 - 2024/03/29 TI - Lettura pirandelliana di una trilogia lorchiana JF - Status Quaestionis JA - SQ VL - 1 IS - 18 SE - Miscellaneous articles DO - 10.13133/2239-1983/16845 UR - https://rosa.uniroma1.it/rosa03/status_quaestionis/article/view/16845 SP - AB - <p>The paper starts focusing on Pirandello and García Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in <em>Sei personaggi in cerca d’autore</em>, <em>Ciascuno a suo modo</em>, <em>Questa sera si recita a soggetto</em> and in <em>El público</em>, <em>Así que pasen cinco años</em> and <em>Comedia sin títolo</em>. The basic idea of this work is that through the reading of Pirandello’s plays, we can better understand Lorca’a plays. The last part of the work analyses the unfinished work of Pirandello <em>I giganti della montagna </em>and the impossibility of poetry in the massificated society for the Italian author just as Lorca’s play <em>Comedia sin título</em>, in which the theatre collapsed under the force of revolution.</p> ER -