Copy, Paste, Create

Authorship, Creative Labor, and Intellectual Property after Generative AI

Autori

Parole chiave:

Artificial Intelligence, Computational Creativity, Autorship, Intellectual Property

Abstract

Artificial Intelligence is reshaping cultural and creative industries by challenging long standing paradigms of creativity. Tracing a trajectory from traditional models to the current digital landscape, this article argues that generative AI represents more than a technological innovation—it is also a renewed manifestation of participatory and decentralized creative practices. By examining ongoing changes and challenges through the interconnected lenses of authorship, labor, and intellectual property, our inquiry reveals how AI simultaneously democratizes and disrupts traditional notions of cultural production, suggesting a transformative shift with profound implications for both artists and publics.

Biografie autore

Federico Pilati, Università degli studi di Milano-Bicocca

Federico Pilati is a researcher at the University of Bologna and teaches Generative Artificial Intelligence for Social Research at the University of Milan–Bicocca.

Maria Tartari, ISPC-CNR

Maria Tartari is a researcher at the CNR Institute of Cultural Heritage Sciences and teaches Cultural Economics at IULM University in Milan. She works as a cultural planning consultant and actively collaborates with EIT Culture & Creativity.

Pubblicato

2025-12-31

Come citare

Pilati, F., & Tartari, M. (2025). Copy, Paste, Create: Authorship, Creative Labor, and Intellectual Property after Generative AI. Mediascapes Journal, 26(2), 348–362. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/18995