“All things change, but Gilbert Roland remains the same” (or not?)

Recycling, adaptability, and endurance in age transition*

Autori

  • Costanza Salvi Università di Bologna; Università di Bergamo

Parole chiave:

Adaptability, Latin lover, Mexican actor, Star system, Post-war Hollywood

Abstract

Gilbert Roland’s career spanned from the early 1920s to 1982, the year of his last appearance on-screen. In 1974, when he was 69, the Los Angeles Times commented upon his capacity to endure, defining his glamorous figure as living proof that time can add character to his handsome Latin features. Still, the sense of fulfillment derives less from invariability than from his ability to adapt to Hollywood’s evolving trends and global expectations. This article contributes to the adaptability hypothesis for aging stars addressed by this special issue of Mediascapes by exploring Roland’s critical moments. At the beginning of his career, the actor either capitalized on the Latin Lover trend or attempted to erase his origins to avoid excessive typecasting. However, as he aged, his career stalled in smaller movies, and finding roles became all the more challenging. The turning point took place after World War II, when the actor, now in his 50s, began portraying characters associated with his Mexican origin. He aimed to present a more confident and assertive image of Mexico in Hollywood through the characters he played on the screen. Two main strategies employed by Roland are emphasized in the article: firstly, he proposed a positive role model, established through a well-planned program combining awareness of aging and the objective of maintaining a consistent standard of professionalism. Secondly, he addressed his audiences across the US-Mexico border to secure a transnational and transgenerational understanding of his messages. This article provides a fresh perspective on Gilbert Roland’s career by moving beyond the narrow portrayal of him as just a Latin Lover, which has been the focus of academic scholarship thus far. Instead, it highlights his modern approach, based on a full grasp of the factors that have driven popularity in the post-war phase of Hollywood studio production.

Biografia autore

Costanza Salvi, Università di Bologna; Università di Bergamo

Costanza Salvi is adjunct professor and teaching tutor at the University of Bologna and research fellow at the University of Bergamo on a project on runaway productions in Italy. She researches Classical Hollywood and cross-cultural exchanges within the scope of American Studies. Her most recent publications include: John Ford’s Cavalry Trilogy (1948-1950); Caught Between US-American Imperialism and Irish Republicanism, Transnationalism and Imperialism: Endurance of the Global Western Film (Indiana UP); Dead Men Talking. How Sonic Imagination Works in ‘Our Town’ (1940), ‘Laura’ (1944), and ‘D.O.A.’ (1950), Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History (Mimesis); Mending Wall? L’ambigua rappresentazione dei rapporti con il Messico in alcuni film hollywoodiani sul confine, Confini. Traiettorie geografiche e simboliche tra cinema, architettura e altre discipline (Aracne). She also published on the culture and cinema of the Great Depression and on the populist films of Will Rogers.

Pubblicato

2025-07-01

Come citare

Salvi, C. (2025). “All things change, but Gilbert Roland remains the same” (or not?): Recycling, adaptability, and endurance in age transition*. Mediascapes Journal, 25(1), 29–41. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/19076