Streaming Gender

Transnational Tales of Non-Western Dramas on Netflix

Autori

Parole chiave:

rappresentazione di genere, serie tv per giovani, Netflix, de-Occidentalizzazione, soft power

Abstract

The research examines the representation of gender dynamics in serial narratives produced in non-Western countries and distributed through Netflix. Owing to the prominent role of television series as both entertainment and cultural platforms that facilitate societal engagement - particularly among young adults - and critical reflection on contemporary social issues, they represent an ideal medium for examining the political and social challenges faced by youth today. The study focuses on three series, each consisting of one season, from Netflix Italy's catalog: A Love So Beautiful (China), Sparta (Russia), and Love 101 (Turkey). The audiovisual products share a common school setting centered on adolescent protagonists. The main objective is to understand how gender-related issues and gender roles are narrated in countries with political and cultural systems different from those of so-called Western Europe. The study integrates qualitative content analysis and visual analysis to evaluate 48 episodes. We developed an analytical-qualitative grid to explore how gender roles, relationships, and stereotypes are constructed through a gender-focused analysis while accounting for specific historical and local cultural contexts. Findings show that the three series articulate distinct affective regimes through which gender relations function as infrastructures of social regulation: normalization and emotional discipline in the Chinese case, negotiated relationality in the Turkish one, and coercive and dystopian configurations in the Russian narrative. Rather than converging toward Western liberal models of gender empowerment, these productions propose alternative configurations of youth subjectivity and intimacy, revealing how platform-mediated circulation contributes to the everyday enactment of soft power through affective and relational narratives. The study bridges local audiovisual production and global platform distribution, highlighting gendered youth narratives as key sites where cultural imaginaries, political meanings, and transnational audiences intersect.

Biografie autore

Camilla Folena, Università degli Studi di Urbino Carlo Bo

Camilla Folena is a Postdoctoral Research Fellow in the Sociology of Cultural and Communication Processes at the Department of Communication, Humanities, and International Studies (DISCUI), University of Urbino Carlo Bo. She holds a PhD in Sociology of Culture and Communication and was awarded a scholarship as visiting PhD researcher at the University of Sarajevo. She has worked as a postdoctoral researcher on national research projects, including PRIN and PNRR initiatives. Her research focuses on journalism, gender studies, post-Western and European perspectives, digital cultures, and political and institutional communication. She has teaching experience in communication, marketing, sociology of cultural processes, multimedia communication, and public and social communication.

Valeria Donato, Università degli Studi di Urbino Carlo Bo

Valeria Donato is a Postdoctoral Research Fellow in the Sociology of Communication and Digital Media at the University of Urbino Carlo Bo. She holds a PhD in Sociology of Culture and Communication, with a dissertation on the platformization of power and Chinese strategies of influence projection through digital communication platforms. Her research interests include digital governance, platform power, online radicalization, hate speech, and artificial intelligence in relation to democratic institutions. She has been involved in national and European research projects, including PRIN, PNRR, and EU CERV initiatives, and has teaching experience in digital communication, marketing, and media industry studies.

Pubblicato

2026-06-30

Come citare

Folena, C., & Donato, V. (2026). Streaming Gender : Transnational Tales of Non-Western Dramas on Netflix. Mediascapes Journal, 27(1), 278–299. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/19407