Il concetto di rappresentazione nella Premessa gnoseologica di Walter Benjamin

Autori

  • Antonio Rafele CEAQ - Université Paris Descartes La Sorbonne

Parole chiave:

Media, Knowledge, Observer

Abstract

This paper aims to develop an investigation on the links between photography and the processes of knowledge in Walter Benjamin’s Gnoseological Preface. In details, the article presents the following reflective knots: a) complementarity, i.e. the image of a reciprocal completion between medium and consciousness; b) attention and distraction intended as psychic states that characterize the development of the reflection; c) the qualitative difference that separates intentional discourses and dialectical images; d) details and the coup d’oeil as the time and rhythm of the representation; e) to point out the esthetic and gnoseological links that connect in a theoretical configuration the first romantic reflections to the media theory

Biografia autore

Antonio Rafele, CEAQ - Université Paris Descartes La Sorbonne

Antonio Rafele svolge attività di ricerca presso il CEAQ, Università di Parigi La Sorbonne. Ha pubblicato il volume Representations of Fashion. The metropolis and mediological reflection between the nineteenth and the twentieth centuries (San Diego University Press, 2013).

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Pubblicato

2017-12-01

Come citare

Rafele, A. (2017). Il concetto di rappresentazione nella Premessa gnoseologica di Walter Benjamin. Mediascapes Journal, (9), 211–221. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/14146

Fascicolo

Sezione

Percorsi di ricerca