La centralità di Instagram nelle narrazioni contemporanee tra transmedia storytelling e contenuti grassroots

Autori

  • Simona Castellano Università degli Studi di Salerno

Parole chiave:

Media studies, Over the top Television, Netflix, Audience

Abstract

The paper aims to emphasize the definition of new ways of involvement, experience and participation for users of Internet – always on (Baron, 2008; Boccia Artieri, 2012) – reflecting on the centrality of a platform such as Instagram, and with it on the use of grassroots contents (Boccia Artieri, 2012; Jenkins et al., 2013) in contemporary transmedia storytelling processing (Jenkins 2003, 2006, 2009, 2013). The possibility offered by the transmedia to expand the knowledge of imaginative universes (Jenkins, 2009), to give birth to complex ones (Giovagnoli, 2013) and to promote a multiliteracy (Scolari, 2009) goes well with the changed characteristics of the publics, who assume an increasingly active role towards the media products they consume and in general toward the media. They become in fact prosumers, giving life to a form of participatory engagement (and in a broader sense participatory cultures), engaging in shared culture and knowledge processes, through logics of social exchange and media reception acts (Ito, 2008) and being actively involved in narrative processes (Scolari, 2017). From this perspective, it is necessary    to understand why social networks are fundamental in transmedia storytelling and why specifically Instagram has now an increasingly role in the storytelling of the contemporary media landscape. Several companies and subjects from other fields use social networks (and Instagram) to involve their publics, redefining how they interact with them, expanding their universe through these platforms and enriching the users experience. By a socio-mediological approach, with also practice examples, will be examined the use and the increasingly importance of Instagram in contemporary transmedia storytelling, with its cultural and communicative processes, learning how this platform foresee the expansion of imaginative universes, also with the production of grassroots contents and UGC

Biografia autore

Simona Castellano, Università degli Studi di Salerno

Simona Castellano è dottoranda di ricerca in Scienze della Comunicazione presso l’Università degli Studi di Salerno, dove collabora con le cattedre di Sociologia dei Processi Culturali e Internet Studies e Media classici e media digitali. Visiting PhD Student presso Blanquerna – School of Communications and International Relations dell’Universitat Ramon Llull di Barcellona. Tra le più recenti pubblicazioni: #likeforlike. Categorie, strumenti e consumi nella social media society (con Amendola A., Troianiello N.) (Rogas Edizioni, Roma, 2018); Social media e celebrity sportiva (con Amendola A.), Sport e scienze sociali. Fenomeni sportivi tra consumi, media e processi globali, (Rogas Edizioni, Roma, 2019).

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Pubblicato

2020-04-11

Come citare

Castellano, S. (2020). La centralità di Instagram nelle narrazioni contemporanee tra transmedia storytelling e contenuti grassroots. Mediascapes Journal, (14), 3–20. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/16592