Tutto ha una fine?
Diabolik & Eva Kant: la serialità a fumetti tra ridondanza e varietà
Keywords:
serialità, fumetti, remake, reboot, retcon, DiabolikAbstract
This essay analyzes the serial comic strip “Diabolik” as a field of observation for reading the complexity of seriality in comics and the contemporary forms of remake, reboot as well as retcon along an interpretive line that uses the form of redundancy in structural coupling with that of variety. The editorial history of Diabolik, in the production of narrative lines in which forms of remakes of the early founding stories of the myth (such as The Great Diabolik) and retcons (such as the two seasons in comic book format of DK) are developed, highlights how the iterative dimension of seriality and the tension between redundancy and variety have built up increasing levels of complexity over the decades, thanks to the proposals of new scriptwriters in relation to the transformation of audiences
Downloads
Published
How to Cite
Issue
Section
License
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Mediascapes Journal is published under a Creative Commons Attribution Licence 4.0.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute and/or copy their contribution. The work must be properly attributed to its author. It should be also mentioned that the work has been first published by the journal Anuac.
Having published these contributions for the first time, Mediascapes Journal will have the right to publish them integrally or partially as reprints or possibly as part of a thematic issue, in both digital and printed format.
It is not necessary to ask further permissions both to author or the journal.