Il cinema nel periodico a fumetti Topolino

(Nerbini, 1932-1935)

Authors

  • Massimo Bonura Ricercatore indipendente

Keywords:

popular culture, comics, Cinema, periodical studies, film studies

Abstract

This essay analyzes the cinematographical aspects about the italian magazine-journal Topolino, edited by Nerbini (1932-1935), and uses a historical and cultural methodology in order to describe rare products and to evaluate their impact in italian film culture. In particular, we will focus on the link between comics and metatextual cinematographical references. First of all, this article aims to give a reference mapping about cinema, comics and the colums of the magazine.

Author Biography

Massimo Bonura, Ricercatore indipendente

Massimo Bonura (Palermo, 1994) è dottore di ricerca in “Medium e Medialità” (Università Telematica eCampus). Tra le sue pubblicazioni si segnalano Cinema, vignette e baionette (Palermo University Press, 2020), Verga e i mass media (Palermo University Press, 2021), Dimensioni cinefumettistiche (Edizioni Ex Libris-Nova Media Comunicazione, 2022; contrib. di F.F. Montalbano) e Avventurieri e donzelle coraggiose (Palermo University Press, 2024).

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Published

2024-12-24

How to Cite

Bonura, M. (2024). Il cinema nel periodico a fumetti Topolino : (Nerbini, 1932-1935). Mediascapes Journal, 24(2), 207–223. Retrieved from https://rosa.uniroma1.it/rosa03/mediascapes/article/view/18748

Issue

Vol. 24 No. 2 (2024): Influ-activism: New forms of civic engagement between digital activism and influence culture

Section

Research

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