Lo spettatore al replay. Le immagini sportive e i loro effetti

Autori

  • Antonio Rafele CEAQ – Université Paris Descartes La Sorbonne

Abstract

This article proposes a study of sports images and their effects on the viewer's perception and memory. The emphasis is on Cruijff and the Dutch football of 1974, intended as a crucial point for the conjunction that television makes between viewer and performer. In a convergence between romantic aesthetics and communication theory, the focus is on the discontinuities of time that these images provide, outlining an aesthetic experience founded on rhythm, choc and replay.

Biografia autore

Antonio Rafele, CEAQ – Université Paris Descartes La Sorbonne

Antonio Rafele svolge attività di ricerca presso il CEAQ, Université Paris Descartes La Sorbonne. Ha pubblicato i volumi Representations of Fashion. The Metropolis and Mediological Reflection between the Nineteenth and the Twentieth Centuries (San Diego University Press, 2013) e Replay. Calcio, vetrine e choc (Luca Sossella, 2018).

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Pubblicato

2019-12-23

Come citare

Rafele, A. (2019). Lo spettatore al replay. Le immagini sportive e i loro effetti. Mediascapes Journal, (13), 188–200. Recuperato da https://rosa.uniroma1.it/rosa03/mediascapes/article/view/16364

Fascicolo

N. 13 (2019): Indistinti Confini. Transmedialità nei processi culturali e comunicativi

Sezione

Percorsi di ricerca - Sezione miscellanea