Il re nascosto e la forma teatrale: concetto regolatore e immaginario teatrale. Ripensare Simmel nel lavoro del Teatro delle Albe e di Einar Schleef

Abstract

This works aims to investigate the relationship between philosophy and Simmel ‘sociology, between the notion of hidden king, which comes out from his works, and his concept of actor’s work. In particular, the actor is a technician of imaginary playing like a medium of ideal forms and concrete ones in the imaginary production. Afterwards this analysis tries to keep together Simmel theory with two contemporary theatrical experiences: Teatro delle Albe and Einar Schleef.